James Bond 30-Day Challenge: Most Obnoxious Male Character (Day 7)

For a movie series that is dominated by male characters, there will always be that one guy that annoys you the most. That guy can make you cringe more than any of Roger Moore's obvious stunt doubles can possibly do.

For this entry, I'm going to pick Truman-Lodge from my favorite Bond film, "Licence to Kill".

Truman-Lodge was Franz Sanchez's chief accountant. He was in-charge of Sanchez's finances which was a tall order considering that Sanchez is a drug kingpin a la Gustavo Fring of "Breaking Bad". However, this film was made in 1989 so the inspiration from Sanchez was most likely Pablo Escobar.

What made Truman-Lodge so obnoxious was the fact that there was no proper introduction for the character.  By the time Bond.went to the Casino, we started seeing Truman-Lodge talking about some business/financial matters with Sanchez in the office. No other new information about him was presented. It wasn't even revealed why a young accountant would be handling the finances of a drug kingpin (It was revealed actually but the scene was cut from the final output.)

Like Truman-Lodge, Heller who was Sanchez chief security was also introduced to us. However, unlike Truman-Lodge, Heller was given the spotlight for us to know the character.

By the film's end, Truman-Lodge was killed by Sanchez after giving off a sarcastic remark to the drug kingpin about the spoiled finances because of Bond's interference in the lab.

Much better handling of a character similar to Truman-Lodge would be seen in "Goldeneye" through Boris Grishenko. He had a proper introduction and we got to know his motives and intentions leading to his exit. 

However, it would not be the same case for a similar character (Gustav Graves' technical assistant?) in "Die Another Day". As of today, I still have no recalling of that character even though I have watched that film multiple times.

James Bond 30-Day Challenge: Favorite Daniel Craig Scene (Day 6)

"Spectre" was the first film I watched in the theater. Other Bond films were watched only on TV presentations or released copies. And how I loved watching "Spectre", especially when the white dots appeared for the gun barrel sequence, the first proper one for a Craig film!

However, my favorite Bond film wouldn't be from that scene. It would have to be from the scene that led to the events of that film, the very last scene of "Skyfall"!

The scene was just perfectly built up. From the reveal of Eve as Moneypenny and Mallory as the new M to the reveal of Bond meeting M in his office. Although it was a kind of a fan service moment, it was subtle and very much not like the fan service moments sprayed all over "Die Another Day" and "Spectre" through the countless references to previous Bond films.

What made it so memorable was the fact that it was the first time we saw Bond and M talking in the traditional office since "The Living Daylights" in 1987.

In "License to Kill", only Moneypenny's office was shown, while in the Brosnan films and Craig's first two, M's office was always redecorated and changed into something new.

This scene helped build up the interaction between Bond and the new M for the coming films, what's left of Craig's contract, at least. They even have the naval painting in the wall above M to match the details making it easy to accept Mallory as the new M.

This scene was the best scene to close for a great Bond film, "Skyfall", while also transitioning it to the next entry in the series, "Spectre" which would have the established MI-6 regulars - Bill Tanner, Moneypenny, Q, and M.

James Bond 30-Day Challenge: Favorite Pierce Brosnan Scene (Day 5)

Excuse the delay, here's the entry for the fifth day!

I really find the Roger Moore and Pierce Brosnan eras very much alike. For the films in these eras, you suspend your disbelief high enough so that there's won't be frequent eyebrow raises. 

There was Sir Roger's "Moonraker". while there was Pierce's "Die Another Day". In terms of the action, there were "Octopussy" and "Tomorrow Never Dies". In terms of villains who were equal to Bond, there was Francisco Scaramanga for Sir Roger while there was Alec Trevelyan for Pierce. 

With that, we should go to my favorite Pierce Brosnan Bond moment and this would definitely be an action scene since the action, gunfights, brawls, and machine guns were commonly seen in this era of movies. 

My favorite would be Bond going up against Gustav Graves in a fencing match. This happened in the film "Die Another Day". Investigating what really happened in the mission in the pre-title sequence, Bond was led to Graves who was dealing counterfeited diamonds. 

Although this scene gave the Madonna cameo, I had to pick this one as my favorite since it was one of the most memorable and watchable moments of the film. "Die Another Day" was not a very good outing but it was very entertaining while having the potential of a good one. One of the reasons for the film having some rare praises would be due to this fight scene. 

Watching the fight, you would be reminded of Bond and Goldfinger's golf match and also the swordfight scene in Moonraker. Very fitting since it was a 40th-anniversary offering. 

The fight choreography was also done superbly. The actors were believable and not suspicious at all with all the stunts. It was really great to see Pierce Brosnan kicking the butt of a much younger villain who was very athletic and as tough as a Robocop. 

Gustav Graves was also good as a villain. Having a villain that could match up Bond physically every once in a while could be really great for the sake of the action scenes. 

James Bond 30-Day Challenge: Favorite Timothy Dalton Scene (Day 4)

Timothy Dalton is my favorite Bond actor. His two Bond films are easily in my Top 5. Needless to say, this pick is going to be an easy one. 

Of his two Bond outings, I liked License to Kill better. During its time, it was the one among the other previous Bonds. It was the first one not to have an Ian Fleming title. There were no megalomaniac villains, humorous reactions, and ultimately, there wasn't any mission at hand. 

"The Man with the Golden Gun" had the chance of having Bond go out on something that was not a mission. He was out to go after Scaramanga whom he thought was paid to kill him. However, there was also the conflict concerning the Solex Agitator and guess what, the man behind that conflict was also Scaramanga. 

As for "License to Kill", this film had no sub-plots. Bond was out to seek the killing of Felix Leiter's wife and Leiter's own casualty. Plain and simple. No missions, for now, M. Not until I avenge my best buddy, Felix Leiter. 

That made it stand out among the other entries. 

During the middle part of the film, Bond was in the fictional location, Isthmus City, in Franz Sanchez's casino. He posed as a very able player to catch Sanchez's attention and he was right. He was then about to meet Sanchez.

And this next scene would definitely be my favorite. Bond and Sanchez having a conversation. They even threw a very subtle "Bond. James Bond." introduction, although it was left unattended b Sanchez. 

Sanchez wanted to know what Bond does for a living, and asked if he was a "problem solver". Bond, gathering his wits, replied that he was a "problem eliminator". Timothy Dalton's delivery of that scene really caught my attention because it seemed that every aspect needed to make that scene perfectly aligned. The grit was present, the dedication to play the part too, but most of all, the hair was so overly done, it made the scene shine brightly. 

It was also during this meeting that Bond displayed some good spy stuff when he took a glimpse at Sanchez's window to gauge how much of a trouble it would be for him. 

James Bond 30 Day Challenge: Favorite Roger Moore Moment (Day 3)

My favorite Roger Moore moment as 007 would have to be the final showdown with Francisco Scaramanga in "The Man with the Golden Gun".

Although there were lots of massive Bond moments during the Roger Moore era, which gave seven films, this has to be the one for me. 

Options included the Crocodile Jump in "Live and Let Die", the meeting with Lazar in "Golden Gun", and the Union Jack moment in "The Spy Who Loved Me." Amazingly, those were just from Roger Moore's first  three Bond films. 

Ever since the Bond movies blew up big time during the Sean Connery era, fans had toyed with the idea 9f Bond being matched up with someone who could be his equal. After numerous extravagant villains from Dr. No to Blofeld, and Dr. Kana nga, it was time for Bond to face Scaramanga.

Scaramanga was Bond's equal in the sense that they were both the best in their field (an assassin versus a secret agent), their towering physique, and their ability to fight for what they'd think would be the best for them. 

Roger Moore inside Scaramanga's fun house in "The Man with the Golden Gun" from onenewspage.com

Scaramanga tried to trick Bond by giving him the advantage of having the Walther's six bullets against his Golden Gun's one. With the help of his fun house, Bond was down to his last possible shot. Thankfully, he thought of making the environment work to his advantage.

I won't spoil that for you anymore. You'd be doing yourself a favor watching that final battle between the two assassins. 

James Bond 30 Day Challenge: Favorite George Lazenby Moment (Day 2)

George Lazenby was Bond for "On Her Majesty's Secret Service" after Sean Connery chose not to star as the secret agent.

My favorite moment on that film was when Bond called Draco, Tracy's father, after having some disagreements with M for the rescue of Tracy.

The conversation was set in Bond's office which was already shown earlier in the film when he has packed his spy stuff memento from previous missions. Once again, the setting was used as a place for Bond to cool down and clear his mind after a heated conversation with his boss.

George Lazenby as James Bond in "On Her Majesty's Secret Service"

Bond dropped the line "Bond. James Bond." in this scene as he was talking to Draco. It was such a cool macho moment for Lazenby's Bond because, for the second time in the film, he has shown that he can go rogue and be against M's orders.

Not that going rogue is highly recommended for subordinates, however, this proves that having a license to kill is also having the license not to kill, as M would say In Spectre. With that, it sends the message that we can still stay true to our duties and responsibilities while being discerning of which things are of high importance.

James Bond 30 Day Challenge: Favorite Sean Connery Bond Moment (Day 1)

While everybody is in quarantine and on lockdown, I thought of giving this challenge a go.

First up is Favorite Sean Connery Scene. With 7 films to choose from, there's definitely a lot to choose from.

Among all the explosive action scenes and pun-filled remarks, my favorite had to be the Moneypenny scene in From Russia With Love.

From Russia With Love started with the new threat from SPECTRE and the defector, Tatiana Romanova, that had been known to M. M.asked for 007's presence through Moneypenny.

Unaware of the tension due to the situation and of M's presence, Bond enters the room playfully.

Moneypenny (left), M (center), and Bond (right) in From Russia with Love from bamfstyle.com

"Now for my next miracle...".as he tossed his hat to the hat stand, completely shocked and quite embarassed seeing M witness his mischievous side.

The scene had nothing more than that fun entry of Bond into the mission. It showed the personality of Bond when he has not yet been handed his mission. I think I like that because it gave us a chance of humanizing Bond and not think of him as an emotionless blunt instrument for MI6.

MOVIE REVIEW: From Russia With Love Part 2

*Continuation*

Despite scheduling their plan on the 14th, they executed their plan on the 13th. From what I believe, this was some sort of decoy made by Bond to fool those who might be listening to them, if there was.

Upon their arrival at the Orient Express, Tania noticed Benz, a Russian security agent. Along with them on the train were Kerim. They were Mr. and Mrs. David and Caroline Somerset, a newly married couple on their way to England. Unfortunately, Kerim was killed in his encounter with Benz along the way and this made Bond think suspiciously of his Mrs. Somerset. The interrogation was such a good scene and it showed how Bond was still putting the mission first. The Lektor was the mission, not the girl. I loved it most when Tania's answers were all "I love you, I love you. It's true," and Bond's reply was just a cold "Sure."

Bond finally met his rival, Grant, who was posing as Captain Nash, Kerim's contact. With probably the same coded signal that Bond has been using with his allies, Grant convinced Bond that he was Nash.

In their scenes together, Bond and Grant exchanged some clever lines. Grant was even using Nash's voice. After dinner, Tania was drugged by Grant and soon after, they had to return to their room for Tania to rest. By that time, Bond was so sure that Nash was no ally. Upon entering a separate room, Bond asked grant, "What was it that you put on her drink?"

Bond had the situation under control until Grant tricked and knocked him out. Bond responds to his current situation by saying that he should've confirmed he was not an ally immediately after Grant's "Red wine with fish" order.

What followed was the classic fight scene between the two in a darkened and narrow room. The camera work and editing that made the fight become one of the most brutal fight scenes in the series. Bond won the fight using the knives that were hidden in Q Branch's modified attache case.

James Bond and Red Grant from Den of Geek website

This very scene from FRWL was what made every train in every Bond film thrilling. When you mix Bond, a Bond girl, a henchman, and a train - that would surely end up in a fight scene. Hello, Live and Let Die, The Spy Who Loved Me, and Spectre!

Bond and Tania left the train, however, Spectre's thugs waiting for Grant were there. Bond easily disposed of them and took control of their vehicle on their way to the films two grand chases. In the first, Bond was chased down by a thug from a chopper a la Cary Grant in North By Northwest, and in the next one, Bond and Tania were chased down in a boat. However, these two chase scenes were not convincing enough, majorly due to the SPECTRE thugs' decision to slow down and stop eventually altogether. Bond had scattered his boat's gas tanks in the same exact area where the thugs stopped. Boom!

"Slow down. Slow down all boats."

Kronsteen was eliminated after his plan has failed, while Klebb was on her last hurrah against Bond.

While Bond and Tania were dressing up in a hotel room, Klebb enters the room, posing as a helper, to get the Lektor. Bond recognized him and it was one of the most suspenseful fights because, during the course of the film, we knew that Klebb's pointed shoes were lethal. Bond was totally no match for Klebb. Bond was obviously struggling.

Rosa Klebb pointing a gun at Bond from derekwinnert.com

Klebb's lethal shoes aiming at Bond from Sky.com

Fortunately, love won! Tania shot Klebb, ending Bond's agony. 

The couple took their time riding on a gondola while Bond disposes of their recorded sexual encounter, and the film's end credits appear.

That was the end, or better said by the film itself, "not quite the end" because there would be more James Bond thrillers!

FRWL easily became my favorite Bond movie. It showed the real spy that James Bond should be and the James Bond spy genre that the Bond movies should get inspiration. Sadly, the formula used in this film would only be used again after 18 years via "For Your Eyes Only" (1981). Despite using the modified attache case from Q Branch, the movie was not yet the cartoonish movie that it had become due to its gadgets. Simplicity was the key for FRWL.

I also have the nicest things to say about the villains. The villains were great, and had a good team, if not the most perfect team, to deal with Bond. Wit, tenacity, and strength went hand in hand to beat Bond. As for the Bond girl, Tatiana Romanova was one of the most beautiful Bond girls in my opinion. She had the young, innocent look that Solitaire had in Live and Let Die. She also did great in the acting department, even if it was her first stint in acting.

MOVIE REVIEW: From Russia With Love Part 1

"From Russia With Love (FRWL)" was the second Bond film for Sean Connery, for EON Productions, for the franchise, and for the fans. This movie was so good, the scene that had been the audition scene for screen tests of possible incoming Bond actors was taken here. That was the scene where Bond found Tania in his hotel room bed.

Movie poster from Illustrated007 website

According to sources, American President John F. Kennedy spoke about how much he liked the novel FRWL by Ian Fleming. This development boosted the sales of the book which eventually made it inevitable for the said novel to be the next one to be in the big screens.

Aside from James Bond, Moneypenny, M, and Sylvia Trench made their return to the Bond films reprising their roles. Major Boothroyd was also in FRWL and was tasked to supply Bond of the standard issue attache case (with its secrets and surprises, of course) for the mission, however, he was bearing a different name in the movie. He was called Q, being that he is the Quartermaster of the Q Branch and he was also played here by Desmond Llewelyn instead of Peter Burton.

The villain in this movie was the sinister organization SPECTRE. After Dr. No was killed by Bond in the previous film, SPECTRE was out for revenge, utilizing a brilliant plan by SPECTRE No. 5 Kronsteen, who is a chess grandmaster. SPECTRE No. 3, Russian General Rosa Klebb was tasked to help Kronsteen, along with the henchman of this movie Red Grant. Moreover, the SPECTRE bad guys were headed by their No. 1, who was left unnamed in the film's end credits.

The mysterious head of SPECTRE and his white cat from michaelmay.online

Kronsteen at a chess battle from 007  Under the Mango Tree website

Of course, we all know now that he is Ernst Stavro Blofeld, who apparently is Bond's step-brother, as per the 24th Bond film, Spectre.

The film opened with a gun barrel sequence, which featured Bob Simmons again. After the shot and blood-dripping, the film commenced with the very first pre-title sequence of the film series with Red Grant and an agent looking a lot like James Bond. They were looking out for each other, waiting for an opportunity to attack. The thrill was present, the feel was a lot different from the previous film. However, the mystery continued further after Bond was seemingly strangled by Grant's garrote watch. After this, the film went on to the title credits.

After some time, you might start asking yourself this: Why would a movie starring Sean Connery who plays James Bond kill off the character in the films first minutes? This would be teased further as Bond would only appear 20 minutes into the movie after the whole plethora of villains were introduced. 

It was a great introduction for the villains. We saw that Kronsteen was the brains of the organization, Klebb was loyal not to Mother Russia but to SPECTRE, and that Grant was strong AF. Klebb punched his abdomen with a knuckle and he did not move a bit. That was how strong he looked like. No. 1 was creepy, and in this film, we knew that failures in the executions of their plans would lead to the execution of the ones who failed. Quite tragic.

Bond was sent to Istanbul for a supposed Russian defector, Tatiana Romanova (the Bond girl),  and a Lektor, a decoding device that M badly wanted. M sent Bond despite having doubts that the defection was only a trap.

Bond's ally in this film was Kerim Bay. He was one of the greatest allies that Bond had and could be even ranked higher than most of Felix Leiter's stint. Unfortunately, he was the sacrificial lamb of this film. He would be killed once Bond, Tania, and himself would board the Orient Express.

Before meeting Tania, Bond and Kerim go out on adventures with the gypsies and also taking out one of Kerim's nemesis. Tania and Bond crossed paths in this very intriguing scene. 

"But I think my mouth is too big."

"No, it's the right size. For me that is."

Unexpectedly, Klebb would be seen watching the flirting and other activities of the couple from a two-way mirror while also recording it in a video, and puffing a cigarette. (Get a room, Klebb! Better yet, get a separate room!)

Bond and Tania went on to discuss matters about the Lektor on the next day, with Tania still flirting with Bond. Bond should be given credit for being so focused on the mission despite Tania's flirting. Perhaps because he had already banged her during the previous night.

*Continuation on my next post!*